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The Jarvis Window was dedicated to Lieutenant William Dummer Powell Jarvis after his death in the First World War on 24 April 1915. Two years later a plaque in his honour was erected near the window. His grandfather the Honorable William Jarvis was an officer in the 1st American Regiment (or Queen's Rangers) and served in the Revolutionary War.

This Tiffany style window was made by New York Studio of Calvert and Kimberley. It depicts the Holy Ghost to the Apostles at Pentecost - 50 days after Easter and ten after the Ascension.

The Lieutenant William Dummer Powell Jarvis Plaque was unveiled by Canon Arthur FitzWalter Wynne Plumptre at St. James Cathedral on 6 March 1917. It was erected near the stained glass window that was dedicated to him two years earlier. The ceremony was attended by 150 people.

On 30 October 1927 the 123rd Overseas Battalion Royal Grenadiers Colours were ceremoniously deposited at St. James Cathedral. The ceremony conducted by Reverend Charles Hedley was attended by 700 officers, non-commissioned officers, and men of the battalion. During the ceremony, a wreath was hung on the Royal Grenadiers’ memorial window on the west wall of the nave. The 123rd Battalion served at Vimy Ridge, Avion, Passchendaele, Amiens, Cambrai, and Mons. During this period 365 men of the Battalion were killed and over 1,000 were wounded.

In earlier times, Colours played a prominent part in many battles. They served to identify units in battle, often marking the focal point of a struggle. Captured Colours were a prized trophy and attracted enemy attention and inspired much gallantry. By the late 19^th and 20^th Century, however, they were no longer carried in battle, but their status as the heart and soul of a Regiment continued, and the laying up of Colours signifies and helps keep holy the memories of the men who sacrificed their lives.

On 8 June 1919 the 4th Canadian Mounted Rifles Colours were hung on the west wall of the nave in St. James Cathedral.

In earlier times, Colours played a prominent part in many battles. They served to identify units in battle, often marking the focal point of a struggle. Captured Colours were a prized trophy and attracted enemy attention and inspired much gallantry. By the late 19^th and 20^th Century, however, they were no longer carried in battle, but their status as the heart and soul of a Regiment continued, and the laying up of Colours signifies and helps keep holy the memories of the men who sacrificed their lives.

Following the First World War, the 1st Battalion Canadian Machine Gun Corps Colours were hung on the east wall of the nave in St. James Cathedral. Brass tablets beneath the Colours list the battles in which the battalion took part.

In earlier times, Colours played a prominent part in many battles. They served to identify units in battle, often marking the focal point of a struggle. Captured Colours were a prized trophy and attracted enemy attention and inspired much gallantry. By the late 19^th and 20^th Century, however, they were no longer carried in battle, but their status as the heart and soul of a Regiment continued, and the laying up of Colours signifies and helps keep holy the memories of the men who sacrificed their lives.

In 1917 a baptismal font of cut stone was dedicated to Calvary Church at 247 Rosethorn Avenue in memory of Private John Richardson by his parents. John Richardson was born in Manchester, England on 7 February 1897. He moved with his parents, William and Emily Richardson, to Toronto and worked as a bicycle builder before enlisting in the Canadian Expeditionary Force on 27 July 1915. Upon arriving in Europe, he was placed in the 58th Battalion. He was killed by shellfire on 19 April 1916 while fighting at St. Eloi.

The baptism font moved to the church of St. Mark, which was located on 21 Blackthorn Avenue, when St. Mark and the Church of Calvary amalgamated in 1970 to become St. Mark & Calvary. The church was disestablished on December 31, 2011. When this church was sold the baptismal fonts were included in the sale.

An oak plaque adorned with oxidized silver medallions was placed in the choir at St. Alban's Cathedral in honour of former pupils of their Sunday school who died in the First World War. It was dedicated to St. Alban's Cathedral by the Missionary Society of the Church of England in Canada.

The plaque was located in the Chapel of St. Alban-the-Martyr in Royal St. George's College at 120 Howland Avenue and it is not known what happened to the plaque.

At St. Albans Cathedral an honour roll was placed at the southern aisle bearing the names of the 112 parishioners who at that point in time had enlisted in the Canadian military to fight in the First World War. The calligraphy of the honour roll was done by Bryan Chadwick.

April 20, 1922, a memorial organ and screen were dedicated to members of the congregation who had died during the First World War. The organ is a 3-manual instrument with 26 stops. It is encased in an oak screen that bears the memorial tablet to those who died in the First World War and a tablet to those memorialized by stops in the new organ. The stops were subscribed for by members of the congregation in memory of departed friends and relatives. 

Lieutenant-Governor Cockshutt unveiled the two bronze tablets during a ceremony conducted by Lord Bishop James Sweeney and Canon Macnab. The organ was designed by T.H. Palmer of Knox Presbyterian Church, Ottawa.

In the choir at St. Albans Cathedral site, a bronze tablet was dedicated to the memory of Lieutenant Ambrose Harold Goodman. Ambrose was born on 6 October 1896 in Cayuga, Ontario. He was the son of Ambrose Kenneth Goodman, of the firm Goodman and Galbraith Barristers and Solicitors; his mother was Linn Goodman. Ambrose was a student of the University of Toronto and a member of the 109th Regiment militia when he enlisted in the Canadian Expeditionary Force on 17 August 1917. Upon arriving in Europe, he was made a lieutenant in the 116th Battalion. He was injured by a shell on the first day of the Battle of Amiens on 8 August 1918 and died of his wounds a week later.